For anyone who enjoys sewing, designing an eight-panel skirt pattern is a satisfying project. This design is well-liked for a variety of occasions because it is not only fashionable but also provides a pleasing fit.
The eight-panel design creates a lovely flow and a tailored, cozy appearance. Knowing the fundamentals of creating this pattern will give you the confidence to make a garment that is both stylish and functional, regardless of experience level.
This tutorial will teach you the fundamentals of creating your own pattern, guaranteeing a perfect fit each and every time. All you need to create a one-of-a-kind skirt that expresses your own style are a few basic measurements and basic tools.
Step | Description |
1 | Take measurements of your waist and desired skirt length. |
2 | Divide the waist measurement by 8 to get the top width of each panel. |
3 | Draw a trapezoid with the top width, the desired length, and a slightly wider bottom. |
4 | Cut out the trapezoid and use it as a template to cut 8 identical panels from the fabric. |
5 | Sew the panels together along the sides, ensuring the edges align perfectly. |
- Constructing a pattern for an eight-panel skirt
- How to take measurements correctly
- Pattern construction
- Decoration of the waist line and line of the side seams
- Sewing an eight-panel skirt: video master class
- Godet skirt made of 8 wedges
- With graduation
- Hint
- Zigzag wedges
- Godet with extension
- Spiral eight-piece godet skirt: video MK
- Ready-made patterns of an eight-piece
- Master class on sewing an eight-piece skirt
- How to sew a skirt
- Video on topic
- Pattern of a multi-panel skirt
- A new look at a godet skirt. Part 1. Modeling and cutting a chic silk skirt of 6 panes.
- Skirt with eight wedges
- Eight-piece godet skirt, with a high waist. Modeling.
- Eight-piece skirt in 5 minutes
- Construction of a skirt from 4,6,8,10,12 WEDGES. Lesson 19
Constructing a pattern for an eight-panel skirt
We must get ready:
- graph paper;
- pencil;
- ruler;
- eraser;
- sewing pattern;
- centimeter tape;
- calculator.
Three parameters must be known in order to finish the drawing:
- half-girth of the waist – POT;
- half-girth of the hips – POB;
- product length – LI.
How to take measurements correctly
It is advised to tie a thin cord or ribbon along the waist to measure OT. This will enable us to take measurements accurately and steadily.
At the narrowest point on the waist, we measure OT. Placing the measuring tape horizontally and snugly around the waist is the recommended orientation. We have to avoid letting tension get too high because then we will have inaccurate measurements to build the product pattern.
We wrap a measuring tape around the buttocks’ most prominent points to calculate OB. Stretch the tape freely and avoid tightening it, just like with the first measurement.
It is assumed that the hip height range is between 18 and 20 cm.
When creating a skirt pattern, we will factor in free fit for 50% of the final product in our calculations:
- at the waist (W) – up to 1 cm;
- at the hips (H) – up to 2 cm.
The desired freedom of fit and the fabric’s elasticity must be considered when determining the appropriate amount of allowances.
- POT = 33.5 cm;
- POB = 48 cm;
- hip height = 19 cm;
- HP = 5 mm;
- Prb = 10 mm.
Pattern construction
Now let’s measure the wedge’s width around the waist.
(33.5 + 0.5):8 = 34:8 = 4.25 cm is equal to (POT + Prt):8.
The drawing grid’s width will be determined by the wedge’s width measured along the hip line.
It is (48 + 1.0):8 = 49:8 = 6.125 for (POB + Prb):8. This size is assumed to be 6.13 cm.
19 cm is the height of the hips.
The completed product’s length, which determines the drawing grid’s height, is 65 cm.
We place a point (∙) T on the horizontal line, stepping back from the sheet’s edge. Place (∙) T1 and (∙) T2 to the right and left of it, setting aside 1⁄2 of the wedge’s width at the waist (= 4.25 cm).
We construct a downward perpendicular from (∙) T, measure the product’s height along it, and mark (∙) n.
Laying 1⁄2 of the wedge’s width along the hips (= 6.13 cm) from (∙) on the right and left, we place (∙) H1 and (∙) H2 N2.
We deviate from (∙) by 19 cm to obtain the hip line, then draw a straight horizontal line. Mark (∙) B1 and (∙) B2 at its intersection with the vertical lines that are drawn through (∙) H1 and (∙) H2.
Decoration of the waist line and line of the side seams
We measure the midpoint of the T1B1 and T2B2 segments and indicate (∙) C1 and (∙) C2. We place it up to these (∙) and designate (∙) C1 ‘and (∙) C2’ based on perpendiculars.
We mark (∙) T1 ‘and (∙) T2’ after continuing the segments of T1B1 and T2B2 upward for 2 mm.
Draw a root line of the side seam through (∙) t1 ‘, (∙) c1’, (∙) B1 and (∙) t2 ‘, (∙) c2’, (∙) B2.
We implement a fenced concave waist line through (∙) t2 ‘, (∙) t, and (∙) t1. The pattern line is raised at the corners, almost exactly like the straight line. The wedges will sew together more smoothly in this instance.
We advise measuring the resultant waist length before creating the belt pattern.
The length of the upper edge of one wedge is 4.25 cm x 2 = 8.5 cm. Total dimensions: 8.5 x 8 = 68 cm.
The belt blank’s width varies based on the model that is chosen, but its length is 68 cm.
Transfer the designs once more onto tracing paper.
Sewing an eight-panel skirt: video master class
Godet skirt made of 8 wedges
The flare at the bottom of the skirt that results from one-piece or set-in wedges is referred to as the "godet."
Let’s see if we can model these skirts using a simple pattern. After reshooting the pattern, extend it to the appropriate length. To form the wedges’ side sides, draw vertical lines in the center of each panel. Move the darts around the waist to them.
Set aside 20 centimeters and draw the godet line starting at the hip line. It is acceptable to perform the expansion 10–30 cm below the hip line. The average value was our choice. Let’s put the letter k in front of this line. We construct the expansion of the wedges from these (∙). Between 30 and 180 degrees is possible.
After drawing the expansion lines, we create a smooth lower cut line. In this instance, you must achieve the same length along the wedge’s center line and side cuts. Take new pictures of each wedge on tracing paper, making sure to note the shared thread’s direction, which should be perpendicular to the hip line.
Set-in wedges can drastically cut down on the amount of fabric used, but they also make sewing the skirt much more difficult. An outdated skirt can be updated with set-in wedges; choose an avant-garde style with transparent or contrasting wedges.
The image below displays some potential set-in wedge pattern options.
Multiple versions of the eight-piece godet are possible to make.
With graduation
An extremely chic and feminine take on the skirt. Since these models are typically made for special occasions, the right fabrics are needed. You can use taffeta, velvet, or silk.
Hint
Processing the seam allowances with extreme caution is crucial due to the cut’s particulars. Expensive fabric skirts are constructed on a lining.
We use half of the basic pattern as the main pattern, since each wedge of such a skirt has its own pattern.
We use the front and back panels to build the main grid. Its height is equal to the maximum length of the skirt, and its width is equal to the POB plus a free-fit allowance. We split the panels into equal-width wedges. We create the waistline and distribute the darts at the waist.
The flare line and the hem line are then drawn at an angle. They may be oriented at two different angles or at the same one. For instance, we will obtain folds of varying lengths when the hem line is inclined and the flare line is horizontal. We mark (∙) k at the points where the wedge side seams and the flare line intersect.
Along the bottom cut, g, we measure the wedges’ spans in both directions. The drawing illustrates how wedges are constructed. A convex curve embellishes the lower cut.
Zigzag wedges
With this cut, the final product is incredibly dynamic. You can experiment with different fabric combinations thanks to the pattern.
The front and back panels of a straight skirt serve as the foundation upon which to build the pattern. We use vertical lines to divide it into equal-width sections. The number of wedges (= OB:n) is equal to one-half the number of sections.
The start of the flare is indicated by the horizontal line (= k) that we draw. After halving the resulting columns, we draw straight downward lines from the resultant (∙). At the points of division, we indicate (∙) K1 and (∙) K2.
We draw a horizontal line called Z (= zigzag line) by dividing the segment in half from the waist line to the flare line.
We divide the result by the number of wedges (n) after subtracting OT from OB. Half of the total is placed in each direction along the waist line. Using these (∙), we construct darts. They are 10–13 cm long.
Stretch the dart line (left) to line Z for the wedge’s right side. We set Z1 to (∙). We join it on the axis of the first wedge with (∙) K1. We placed the flare’s width, g, to the right along the bottom edge that runs from the vertical line through (∙) K1. We inserted (∙) H1. In this instance, the wedge’s width and g’s value match. With an arbitrary line (∙) K1 and (∙) H1, we connect.
We shift in a mirror image (∙) Z1 for the left side of the wedge (∙) Z2. We draw a straight line connecting (∙)Z1 to (∙) K2 of the neighboring wedge. We placed the flare’s width to the left, g, along the bottom edge from the vertical line through (∙) K2. We inserted (∙) H2. An arbitrary line (∙) K2 and (∙) H2 are connected to us.
To get the same length of wedge, we draw a line of the lower cut, raising (∙) H1 and (∙) H2.
Godet with extension
It is advised to sew these models using lightweight materials like crepe de chine. Extremely striking, dangling ends produce a slim silhouette.
Since this kind of wedge has an entirely symmetrical pattern, we will examine half of the construction.
After the flare is built and its usual length (= line H1H) is determined, we are left with a wedge pattern for a skirt that has a flat bottom. We build a new pattern line for the bottom and extend the flares for the hanging ends by the value of H1H2, which in our case is equal to 18 cm.
Spiral eight-piece godet skirt: video MK
Taking precise measurements, dividing the width of the skirt into equal sections, and shaping each panel to guarantee a perfect fit and flare are all necessary steps in creating a pattern for an eight-panel skirt. This technique streamlines the procedure and makes it simple to alter the skirt to the length and style you want, creating a well-fitting, proportionate piece of clothing.
Ready-made patterns of an eight-piece
We have ready-made patterns for a fun striped wedge skirt model that is perfect for beginners. There are sizes available for both full women and slender girls.
Specifications for every size:
- 36 (chest-waist-hips): 82-66-88 cm;
- 38 (chest-waist-hips): 86-70-92 cm;
- 40 (chest-waist-hips): 90-74-96 cm;
- 42 (chest-waist-hips): 94-78-100 cm;
- 44 (chest-waist-hips): 98-82-104 cm;
- 48 (chest-waist-hips): 106-90-112 cm.
The diagrams below provide a schematic representation of how to sew a skirt.
Master class on sewing an eight-piece skirt
Model of a lining skirt with traditional flared wedges.
OT:8 is the width of the wedge measured along the waist line T1T2.
OB:8 is the same as the wedge’s width along the hip line.
To get the desired skirt length, draw straight lines through points T1B1 and T2B2.
How to sew a skirt
First, the fabric needs to be ironed and soaked. Next, we used a 1 cm side seam allowance and a 2 cm bottom seam allowance to cut out the wedges.
If desired, cutting can be done 45 degrees either along the bias or along the grain thread.
To sew, you must first cut out:
- 8 wedges made of main fabric;
- facing of the upper cut with a length of OT and a width of 5 cm;
- 2 skirt panels made of lining fabric;
- a strip of non-woven fabric to strengthen the belt, equal in length.
You also need to get your sewing supplies, threads, and zipper ready.
We sew every seam, leaving a single space unfinished for the zipper. We use an overlocker to process the cuts, then we iron them.
The seam’s remaining free section is sewn up.
The seam allowances being ironed. Top with a zipper, fastened with pins. Make sure not to catch the main fabric when you bash the sides of the zipper and the allowances.
Pull out the basting stitch and remove the pins. zipping up the garment.
Sew the petticoat panels, leaving 2 cm of extra space for the zipper and slits from the side seams to the middle of the thigh. We iron and overcast the allowances. After flipping them over, we sew all the way through the incisions. The lower edge is overcast. After twice turning the bottom, we stitch. Keep in mind that the petticoat and skirt should be the same length.
We use interlining to adhere the top facing. Joining the cuts, we pin it to the skirt with the right sides facing each other. A machine seam is created.
After flipping the facing to the incorrect side, we pin and bast it.
After turning the allowance to the fastener’s edge, we bast the facing’s end edge. The lining is sewn to the facing’s edge. The petticoat’s side edge is sewn to the zipper’s edge.
The skirt’s lower edge was overcast. We iron it, bast it, and turn it up one centimeter to the wrong side. A machine seam is created. The edge can be double-turned and stitched if preferred.
Making a pattern for an eight-panel skirt can be intimidating at first, but it can be done with precise measurements and step-by-step instructions. When putting the skirt together, it’s important to make sure that every panel is symmetrical and that every seam lines up precisely.
You can create a custom pattern that precisely fits your measurements by following the instructions, which will result in a skirt that fits and looks fantastic. Trying out various lengths and fabrics can also help you create original takes on the traditional style.
After you’ve mastered the fundamentals of creating an eight-panel skirt pattern, you’ll have a flexible template that you can use for a range of looks and events. This is a useful skill to have in your sewing arsenal, whether you’re making clothes for others or for yourself.